Movie Review – The Evil in Us (2017)

The Evil in Us
Directed by Jason William Lee
Courtesy of RLJ Entertainment
Release Date: August 29, 2017

When I read the press release for THE EVIL IN US, I made the decision to review it based on the tagline alone: “Side effects may include: insomnia, rage, cannibalism.” How can you NOT want to see a film that is described like that? Needless to say, I was pretty excited when the film finally arrived.

After watching it, I can definitely say I was entertained. Is it perfect? Well, no…but it is a movie definitely worth checking out, and I suggest you do so. THE EVIL IN US will leave a lasting impression upon you, regardless of what you think about it.

If you are not familiar with THE EVIL IN US, here is the plot synopsis courtesy of RLJ Entertainment:

Six school friends meet up for a Fourth of July celebration on a remote island off the Washington coast for a weekend of fun and partying. But the good times quickly turn into a nightmare when they unknowingly take a new bio-active drug containing a virus that causes fits of psychotic rage. Only one girl, Brie, doesn’t take the drug and she alone must fight to stay alive as her friends slowly turn into bloodthirsty cannibals. Trapped on the island, Brie must endure the unimaginable in a desperate battle for survival.

First, the good stuff.

THE EVIL IN US is shot well and looks great onscreen. The direction seems solid, and the cinematography is well-planned. Also, the production value appears high.

The acting is above average, although nobody really gives a standout performance. Still, I enjoyed Debs Howard as Brie, and I look forward to seeing her in future projects.

The gore is top notch, and there’s quite a bit of it. Once the carnage appears onscreen, it is almost a constant. The special effects team does a great job, and the results are very visible.

But for as good as these aspects are, THE EVIL IN US has a couple of pretty hefty negatives.

First, the storyline is a bit too jerky. We start off with an incident in an apartment building, but then shift gears to our main characters getting ready for a trip. A short while later, we are thrown off once again with an enigmatic man who has apparently kidnapped a random couple. These transitions were not well done, and they confused me to start with. I feel like a little more lead-in or even a different way of transitioning would have made this feel less spasmodic.

Secondly, the characters are honestly not that likable. They’re loud, rowdy, and, well, obnoxious. Thus, when the crap hits the proverbial fan, I wasn’t too upset. I never made a firm connection with any of them, therefore I didn’t really care if they were dying or not for the most part.

But even so, THE EVIL IN US is still a fun film overall, and I suggest giving it a look. If you can overlook its faults, you will have a good time.

The film is available now.


TV Show Review – NCIS, Season 14

NCIS, Season 14
Courtesy of CBS Television Studios
Release Date: August 29, 2017

NCIS is one of those shows that refuses to die. Not that I think it should, by any means…but no matter how many changes it faces, the show perseveres. The fact that the series just wrapped up its 14th season says quite a bit: fans and critics alike both still enjoy it.

I’m definitely in one of those categories. I like the show just as much now as when I first watched it a few years ago. Season 14 continues the high standard set by previous seasons, and it’s a must-have for fans of quality television.

If you are not familiar with NCIS, here is the series’ plot synopsis courtesy of CBS Television Studios:

From murder and espionage to terrorism and stolen submarines, NCIS (Naval Criminal Investigative Service) is more than just an action drama. With liberal doses of humor, it’s a show that focuses on the sometimes complex and always amusing dynamics of a team forced to work together in high-stress situations involving Navy or Marine Corps ties.

I confess I was nervous about this season of NCIS, as it was the first season without DiNozzo (Michael Weatherly) and a few new faces were introduced. Thankfully, I had nothing to worry about. Despite the fact the atmosphere of the show changes a little without Weatherly’s character, the group dynamic of the team remains just as charged as ever.

The new additions to the cast mesh well with existing members, and I foresee plenty of opportunities to flesh out the newbies in full. I can’t say I have a favorite in regard to the new faces, however I am very intrigued with the character of Nick Torres, portrayed by Wilmer Valderrama. I will be watching closely to see where storylines involving him go.

I said last year (when I reviewed Season 13) that NCIS is like comfort food for your brain, and the statement still holds up well. There’s nothing like coming home from a rough day and plopping down on the couch to join Gibbs, McGee, and the others as they fight to keep our country safe and bring justice where needed. I’m excited to see where the next season takes us…I just wish we didn’t have to wait so long to take the journey.

Season 14 is available now.


Blu-ray Movie Review – Re-Animator (1985)

Directed by Stuart Gordon
Courtesy of Arrow Video & MVD Distribution
Original Year of Release: 1985
Blu-ray Release Date: August 8, 2017

When 43,000+ people vote and a horror film earns 7.1 out of 10 stars on, you know it is definitely a title you need to check out. Such is the case with RE-ANIMATOR, a horror-comedy-gorefest, courtesy of genre icon Stuart Gordon. If you are unfamiliar with Gordon’s films, you need to acquaint yourself with them immediately; the man is a visionary genius, particularly when it comes to interpretations of H.P. Lovecraft’s work. RE-ANIMATOR is one of my favorite films of all time, and it’s no surprise that Gordon is also responsible for several of my other Top Favorites, including DAGON, ROBOT JOX, and FROM BEYOND.

The fine folks at Arrow and MVD got together and released an authoritative edition of RE-ANIMATOR, and it is nothing short of glorious. Horror fans will want to add this to their libraries quickly, as I predict this will sell out soon. Chocked full of amazing content, and featuring new, original artwork, this Arrow/MVD release will be the Must Have of the fall season!

If you are not familiar with RE-ANIMATOR, here is the plot synopsis courtesy of Arrow Video & MVD Distribution:

One of the most wildly popular horror movies of all-time, Stuart Gordon’s enduring splatter-comedy classic Re-Animator returns to Blu-ray in a stunning restoration packed with special features!

When medical student Dean Cain advertises for a roommate, he soon finds one in the form of Dr. Herbert West. Initially a little eccentric, it soon becomes clear that West entertains some seriously outlandish theories specifically, the possibility of re-animating the dead. It’s not long before Dean finds himself under West’s influence, and embroiled in a serious of ghoulish experiments which threaten to go wildly out of control…

Based on H.P. Lovecraft s classic terror tale “Herbert West, Re-animator” and featuring a standout performance from Jeffrey Combs as the deliciously deranged West, Re-Animator remains the ground-zero of 80s splatter mayhem and one of the genre’s finest hours.

RE-ANIMATOR looks excellent onscreen, thanks to a superb HD transfer. Blu-ray is definitely the way to experience this masterpiece, as you get to relish in every gory detail, right down to the most minute blood-splatter. The sound is also excellent; you’ll hear every squishy sound effect in 5.1 stereo…and if you’re like me, you’ll love every minute of it.

As for the acting, Jeffrey Combs, Bruce Abbott, Barbara Crampton, and David Gale are excellent in their roles, and nobody could have played them better. I had the pleasure of meeting Combs and director Stuart Gordon a couple of years ago at Texas Frightmare Weekend in Dallas, and they were an absolute blast. I can see why Gordon’s films are so successful: because he surrounds himself with talent like Combs.

The special effects in RE-ANIMATOR are gut-wrenching and so much fun to watch. Needless to say, they are very good. Gorehounds will revel in the amount of carnage unleashed, but those looking for comedic elements will be pleased as well. I cannot go into detail as to why, because it will spoil the film. But trust me: you need to watch this one to appreciate it.

RE-ANIMATOR is an excellent film, and I highly recommend it. Arrow and MVD give this film the full Grade A treatment, and the result is an edition worthy of a king. Snatch up your copy soon, because as I stated earlier, I’ll bet these go quickly. It is available now.

The special edition contents include:

• 4K restorations of the Unrated and Integral versions of the film
• High Definition Blu-ray (1080p) presentation
• Original Stereo 2.0 and 5.1 Audio
• Optional English subtitles for the deaf and hard of hearing
• Digipak packaging featuring newly commissioned artwork by Justin Erickson
• Collector s booklet featuring new writing on the film by writer Michael Gingold
• Re-Animator the original 1991 comic book adaptation, reprinted in its entirety
• Unrated version [86 mins]
• Audio commentary with director Stuart Gordon
• Audio commentary with producer Brian Yuzna, actors Jeffrey Combs, Barbara Crampton, Bruce Abbott, and Robert Sampson
• Re-Animator Resurrectus documentary on the making of the film, featuring extensive interviews with cast and crew
• Interview with director Stuart Gordon and producer Brian Yuzna
• Interview with writer Dennis Paoli
• Interview with composer Richard Band
• Music Discussion with composer Richard Band
• Interview with former Fangoria editor Tony Timpone
• Barbara Crampton In Conversation the Re-Animator star sits down with journalist Alan Jones for this career-spanning discussion
• Deleted and Extended Scenes
• Trailer & TV Spots
• Integral version [105 mins]
• A Guide to Lovecraftian Cinema brand new featurette looking at the many various cinematic incarnations of writer H.P. Lovecraft s work


Movie Review – Altar (2017)

Directed by Matt Sconce
Courtesy of Movie Heroes Studios
Release Date: July 1, 2017

In the realm of found footage films, just about every subgenre of horror has been explored. I’ve seen FF films that contain everything from ghosts to aliens to monsters, and just about all things in between. To paraphrase a quote from the Bible, there’s nothing new under the sun. So when new found footage films come along, I always approach them with a sense of skepticism.

Such was the case with ALTAR, a recent offering from director Matt Sconce. ALTAR is a found footage film with a very familiar set up, however the praise it has gotten from the festival circuit forced a pique to my interest. Thus, I figured I would give it a shot.

I’m happy to report I’m glad I did.

ALTAR is not perfect and has some flaws, but it’s a fun trek into territory with which we are already acquainted. If you’re a fan of found footage films, you’ll definitely want to give this a look. The movie does not breathe new life into a saturated genre, but it’s as close to a breath of fresh air that we will probably get.

If you are not familiar with ALTAR, here is the plot synopsis courtesy of Movie Heroes Studios:

ALTAR is the terrifying story of a group of college classmates who get lost driving to a reunion campout in the Sierra Nevada Mountains. After stopping for the night, they stumble onto something darker and must escape the evil they’ve unleashed. Not only are their lives in danger, but their immortal souls as well.

ALTAR is shot pretty well for an entry in the found footage category. Many FF films give the audience overly shaky camera angles that annoy more than convey a sense of urgency, particularly when the bearer of the camera is running from the killer/alien/monster. Not so here. Sconce seems to have taken distinct measures to ensure this does not happen. The result is a much more enjoyable film experience.

The acting in ALTAR is also above par for this type of film. Stefanie Estes does a great job as Maisy, and I love Tim Parrish’s portrayal of Asher, the typical jock/jerk. Jesse Parr also gives a fine performance as Bo, the main character; I had no problem feeling sorry for him throughout the film.

The special effects, although minimal, are very well done. Of particular note is the gore. While we don’t get a lot of it, what we do get looks great. I also like the lighting effects used around the altar when the group first discovers it. Very eerie.

My biggest complaint with ALTAR lies in the storyline. The first ¾ of the film are typical setup points: the characters are introduced, their relationships outlined, their personalities explored, etc. This is all fine. But the last quarter of the film, while tense and promising, offers no explanation as to what the altar is, why it is there, and who “she” is. Sure, I had some inclinations as to potential explanations, but I’m one of those pesky horror fans that needs clarification. I like where the film was headed…I just wish five more minutes had been added to explain.

Otherwise, ALTAR is a fine addition to the found footage film category. I recommend giving it a look, but be sure you have the right mindset going in; don’t expect groundbreaking originality or in-depth resolution. If you can look past that, you’re in for a good time.


Blu-ray Movie Review – Beyond the Darkness (1979)

Beyond the Darkness
Directed by Joe D’Amato
Courtesy of Severin Films & CAV Distribution
Original Year of Release: 1979
Blu-ray Release Date: July 25, 2017

Italian horror is rife with iconic films, however a handful were accompanied by gratuitous media coverage shortly after their release. This was primarily due to their controversial content, although some were overhyped in that sense. And while several of these scandalous titles wound up on the Video Nasties list, a few, like BEYOND THE DARKNESS, are still banned in certain countries today.

BEYOND THE DARKNESS is a gem of a horror flick, and it boasts some of the most gut-churning effects I’ve ever seen. Granted, the plot is a bit loose, but that is very forgivable when you have such wondrous special effects to ogle. BEYOND THE DARKNESS is a heck of a film, and it’s one every horror fan should experience…even if only once.

If you are not familiar with BEYOND THE DARKNESS, here is the plot synopsis courtesy of

It has been denounced as “revolting” (, “stomach-churning” ( and “shower-prompting” (Fandor), while simultaneously acclaimed as “bone-chilling” (Chas Balun), “truly classic” (The Spinning Image) and “a must-see” ( Now experience “D’Amato’s masterpiece” ( like you’ve never seen or heard it before: CinzIa Monreale (THE BEYOND) and Franca Stoppi (THE OTHER HELL) star in this psycho sickie – set to a pounding score by Goblin.

Severin is proud to present this sleaze-fest also known as BURIED ALIVE and BUIO OMEGA from director Joe D’Amato (ANTHROPOPHAGUS), restored and packed with exclusive new Special Features.

BEYOND THE DARKNESS is shot fairly well and, despite a grainy opening sequence, looks good onscreen. I mention the graininess that occurs during the opening credits because it’s pretty bad. Thankfully, it only lasts a minute or so, and then the picture clears up nicely. The HD transfer from that point on looks great, and I’m assuming the poor quality of the opening scenes is due to the original film stock.

The acting is not too shabby overall. Kieran Canter does a fine job as the main character, Frank. He is accompanied by Franca Stoppi, who gives a downright chilling performance as Iris, the “nanny” who has a thing for Frank. I’m especially impressed with Cinzia Monreale, who plays both Anna and her sister, Elena; Monreale is “dead” for most of the film, and it is stunning to see how still she can keep her body, despite everything that is happening to it. I had no problem believing she was deceased. The rest of the cast is so-so, but the characters are never fleshed out, and therefore it’s hard to judge their performances.

As mentioned, the special effects are the winner here. I actually cringed a couple of times when Frank is prepping Anna for embalming, specifically when he is removing her brain. The visuals are beyond realistic, and I have to commend the effects team for how convincing they made this. The rest of the gore is just as good.

BEYOND THE DARKNESS is a win for me, and it’s a film I recommend checking out. Just make sure you do so on an empty stomach…or have a bowl nearby. The Blu-ray also boasts some nice Special Features, including:

• Joe D’Amato: The Horror Experience
• The Omega Woman: Interview With Actress Franca Stoppi (17 Minutes)
• Goblin Reborn Perform Buio Omega Live 2016
• Locations Revisited
• Sick Love – An Interview With Actress Cinzia Monreale
• Trailer
• CD Soundtrack (Blu-ray exclusive)

The film is available now.

Blu-ray Movie Review – Madhouse (1981)

Directed by Ovidio G. Assonitis (aka Oliver Hellman)
Courtesy of Arrow Video & MVD Distribution
Original Year of Release: 1981
Blu-ray Release Date: June 13, 2017

MADHOUSE is one of those films I’ve heard about for years, but never got the chance to watch until now. And I’m glad I finally got to see it. To quote one of the video store employees I used to talk to about horror movies way back in the day, the movie “takes sibling rivalry to the extreme,” and he’s not kidding. If I had a brother or sister that treated me like Mary does Julia, I’d probably have wound up in a mental institution! MADHOUSE is a gut-wrenching trek into insanity, and although it’s not perfect, it’s still a lot of fun.

If you are not familiar with MADHOUSE, here is the plot synopsis courtesy of Arrow Video & MVD Distribution:

Helmed by legendary producer/director Ovidio Assonitis, the man behind such cult favourites as The Visitor and Piranha II: The Spawning, Madhouse is a crimson-soaked tale of sibling rivalry taken to a terrifying and bloody extreme.

Julia has spent her entire adult life trying to forget the torment she suffered at the hands of her twisted twin Mary… but Mary hasn’t forgotten. Escaping hospital, where she s recently been admitted with a horrific, disfiguring illness, Julia s sadistic sister vows to exact a particularly cruel revenge on her sibling this year promising a birthday surprise that she’ll never forget.

An Italian production shot entirely in Savannah, Georgia, Madhouse (aka And When She Was Bad and There Was a Little Girl) fuses slasher elements with the over-the-top excess of 80s Italian terror resulting in a cinematic bloodbath so gut-wrenching that the British authorities saw fit to outlaw it as a video nasty.

Director Ovidio Assonitis shot this film under the name Oliver Hellman, but I’ve never discovered the reason as to why. Of similar interest is the fact this film is an Italian work, however it was filmed entirely in the southeastern United States. No explanation was given for this either, however. These aspects don’t change my opinion of the movie…they are just interesting facts to plug into your brain.

MADHOUSE looks great from a cinematic standpoint. The camerawork is simply used to tell the story, and does not have any sort of artistic appeal, which is fine. The production value appears fairly decent, which makes the overall look of the film to be that of a higher budget work.

The acting is pretty good as well, although I don’t think anybody will win any awards for their performances. Trish Everly does a fine job as Julia, while Allison Biggers is convincing as her psycho-sister, Mary. Dennis Robertson is probably the best of the cast as he portrays the messed up Father James.

The special effects in MADHOUSE are very good for the time period, and the film boasts some nice carnage in the gore department. I particularly like the scene where the Rottweiler is killed with the drill; this effect is well done and very convincing.

The plot is the main problem with this movie. It is simply too slow paced for the film to ever achieve a true sense of suspense. Clocking in at around 92 minutes, the film would have probably been even more potent it they had shaved at least 10-15 minutes off it. Still, if you can look past the dragging parts, the movie is quite entertaining.

MADHOUSE is definitely worthy of watching, and I recommend giving it a shot. It’s a hybrid film, combining a semi-clever mystery (I caught on pretty quick) with a taut slasher flick. Be ready for some interesting scenes, but also be ready to sit through a bit of lag as well.

MADHOUSE is available now.

Special Features

• Brand new 2K restoration from the original camera negative
• High Definition Blu-ray (1080p) and Standard Definition presentations
• Original Stereo Audio (Uncompressed PCM on the Blu-ray)
• Optional English subtitles for the deaf and hard of hearing
• Brand new audio commentary with The Hysteria Continues
• Brand new interviews with cast and crew
• Alternate Opening Titles
• Theatrical Trailer, newly transferred in HD
• Reversible sleeve featuring original and newly commissioned artwork by Marc Schoenbach
• FIRST PRESSING ONLY: Booklet featuring new writing on the film


Movie Review – Voodoo Passion (1977)

Voodoo Passion
(aka Call of the Blonde Goddess)
Directed by Jess Franco
Courtesy of Full Moon Features
Original Year of Release: 1977
DVD Release Date: June 15, 2017

I’ve seen several of Franco’s films now, and I have to say: the man definitely likes to diversify his softcore premises. No idea what I’m talking about? Let’s break down Franco’s films: he does just about every type of exploitation subgenre available: Sexploitation, Nunsploitation, Goresploitation, etc. There are not many angles he won’t use to show flesh in his films, which is why many fans call him the Eurosleaze King.

VOODOO PASSION is one of his better films, in my opinion. While this one has just as much skin as any other Franco flick, it comes across as less hokey, and the plotline builds more tension than in previous works. I’m not sure why this one stands out from the rest, however it is evident that this is more of a horror flick and less of the softcore variety.

If you are not familiar with VOODOO PASSION, here is the plot synopsis courtesy of Full Moon Features:

Eurosleaze maverick Jess Franco and producer Erwin C. Dietrich team up again for Voodoo Passion (aka Call of the Blonde Goddess and Porno Shock), a voyeuristic, sex-soaked thriller that veers wildly between reality and fantasy.

Actress Ada Tauler stars as Susan, who arrives in Haiti to live with her new husband Jack (Franco regular Jack Taylor from Female Vampire), who has an apparently unhealthy, possibly incestuous relationship with his sister Olga. Getting lost in a fever dream of sexual delirium, Susan suddenly finds herself lost in a weird world of black magic, clandestine couplings and bloody voodoo rituals, all the while her possibly sinister housekeeper (Muriel Motosse) looks on lustfully. More coherent then many of Franco’s dream-state erotic horror films, Voodoo Passion also stars frequent collaborator Karine Gambier and features a groovy score by Walter Baumgartner (Franco’s Jack the Ripper).

The film is presented fully uncut and digitally remastered from Dietrich’s original negative.

I’ve mentioned before, but I’ll reiterate: I’m glad Full Moon has many of Franco’s films available to purchase. They are doing a great job of keeping exploitation films alive and well, for existing fans and future cinema lovers alike.

VOODOO PASSION is shot very much like Franco’s previous films. The cinematography does a great job of capturing the details of the sets, while still focusing primarily on the characters (and the nudity) in each scene. And speaking of skin, this film has plenty of it. Fans of Franco’s love of the female form will certainly be entertained here.

The acting is not great, however it doesn’t really detract from the film. Nobody gives an outstanding performance, however neither does anybody suck bad enough to take away from the plot.

The special effects in VOODOO PASSION are again minimal but still look decent enough. A couple of chickens have their heads cut off, and I’d swear they are real…however I cannot confirm that. The blood looks semi-realistic, at least.

The plot is truly tension-filled, and I like how quickly it moves along. Some of Franco’s films tend to drag, however this one does not. The flow is nice and steady, offering up plenty of terrifying moments and some truly stressful situations.

VOODOO PASSION is a big win for me, and it ranks up at the top of my list of Franco films. It won’t be for everybody, but if you’re a fan of Eurosleaze or Franco in general, you should definitely check this one out. It is available now.


Movie Review – Feed the Light (2017)

Feed the Light
Directed by Henrik Moller
Courtesy of Intervision Picture Corp. & CAV Distribution
Release Date: June 27, 2017

I’m sure I’m starting to sound like a broken record, but I’ll state this once more: if a project is inspired by H.P. Lovecraft’s work, chances are good that I’ll check it out. Such is the case with Swedish horror flick, FEED THE LIGHT. When I read in the press release that it was based on a Lovecraft short story, I knew without a doubt I had to watch it. I’m glad I got the opportunity to do so because, although it is low budget, it’s a nice and chilling jaunt into cosmic horror.

If you are not familiar with FEED THE LIGHT, here is the plot synopsis courtesy of

From producer/director/co-writer Henrik Möller comes a new landmark in underground Swedish horror, inspired by equal parts H.P. Lovecraft, David Lynch, and something far more disturbing: When her daughter is abducted by her ex-husband, a young mother will track the missing child and its father to a mysterious institution. But once inside, she will find herself trapped in a hallucinatory netherworld where reality turns amorphous, survival becomes parasitic, and an infested darkness lives and feeds in the light.

I guess I should clarify that FEED THE LIGHT is only loosely based on a Lovecraft story. This film is a modernized take on THE COLOUR OUT OF SPACE, but the influence is definitely evident.

FEED THE LIGHT is shot decently, although the picture is very grainy and the tone is in a dull greyscale (not even really black-and-white). Interestingly enough, this low-budget look and feel really works for the film. It helps the industrial setting look even darker, and it even makes the tension in the film more palpable. This is hard to explain…it’s more of something you have to experience to understand. Even more interesting is the fact that, per the film’s IMDB page, director Henrik Moller originally shot the film in color but didn’t like the result. He switched over to black-and-white in post-production.

The acting is pretty good as well. Lina Sunden does a very convincing job as Sara Hansson, the main character. She is supported by Martin Jirhamn, who plays Vaktmastaren, and Patrik Karlson, who portrays her ex-husband. Nobody really gives a standout performance, but the acting does not bog the film down at all.

The special effects in FEED THE LIGHT are minimal, but they are done well and a few are even offered in color, lending a lot of credibility to the tension inside the film. I particularly like the black “blobs” that are used for the unknown entities. I didn’t think they would work at first, but as the film progressed, I found them more and more terrifying. Not knowing the true shape of a creatures is almost just as scary as actually seeing it!

FEED THE LIGHT won’t be for everybody, but I really enjoyed it. This is low-budget fare, therefore many folks will probably shy away from it. But if you give it a look, I bet you will be entertained. The conclusion is quite vague, so there are many things left to question. But you don’t have to have answers to enjoy this film. FEED THE LIGHT is available now.


Blu-ray Movie Review – Terror in a Texas Town (1958)

Terror in a Texas Town
Directed by Joseph H. Lewis
Courtesy of Arrow Academy & MVD Distribution
Original Year of Release: 1958
Blu-ray Release Date: July 11, 2017

I have to confess: when I first got the press release for TERROR IN A TEXAS TOWN, I thought it was for a horror movie. You have to admit, the title does fit perfectly for a fright flick. But when I realized it was a Western, I launched it to it nonetheless. After all, Arrow and MVD have rarely ever steered me in the wrong direction.

And sure enough, they produce the goods once more.

TERROR IN A TEXAS TOWN is an excellent, albeit different, genre film, and it’s one I recommend you give a look soon. This is not TOMBSTONE or SHANE remade…no, this is a nice little B-grade Western that offers an intriguing storyline, interesting characters, and even a social commentary or two.

If you are not familiar with TERROR IN A TEXAS TOWN, here is the plot synopsis courtesy of Arrow Academy & MVD Distribution:

For his 41st and final feature film, Joseph H. Lewis was able to combine the two genres in which he had excelled. The man in the director s chair for My Name is Julia Ross, Gun Crazy and The Big Combo, Lewis was one of the all-time greats in film noir. But he was also a fine director of Westerns, having made A Lawless Street, 7th Cavalry and The Halliday Brand, all of which especially the last remain underrated. Terror in a Texas Town would bring his noir sensibilities to the American West, resulting in one of his finest works.

McNeil (Sebastian Cabot, The Time Machine) is a greedy hotel owner who wants to take control of Prairie City, the Texas town of the title. Keen to drive the local farmers of their land, McNeil hires a gunman, Johnny Crale (Nedrick Young, who would pen the Oscar-winning screenplay for The Defiant Ones the same year), resulting in the death of a former whaler. The dead man s son, George Hansen (Sterling Hayden, The Killing), arrives in town to inherit the farm and set the stage for revenge armed with only his father s old harpoon…

Terror in a Texas Town was written by Dalton Trumbo, one of the Hollywood Ten blacklisted by the film industry and forced to write under pseudonyms or to use fronts . Two years before he helped break the blacklist with on-screen credits for Otto Preminger s Exodus and Stanley Kubrick s Spartacus, his work was credited to Ben Perry, but it demonstrates a psychological depth and political dimension that is undoubtedly that of Trumbo.

I think the unusual aspects of this film are a big part of what make it so good for me. For example, the hero is not a traditional Western good guy; he’s a Swedish whaler’s son. Also, the weapon he chooses to use: a harpoon. Who ever heard of using a harpoon in the Old West? But it totally works for this film!

TERROR IN A TEXAS TOWN is shot well and looks great onscreen. The picture is in black and white, but you barely notice because the story is so gripping. I though the b&w aspect would throw me off, but it did not in the least.

The acting is very good. I read other reviews that stated the B-grade quality of the acting was lacking. I disagree completely. Everybody in the cast does a great job. Sterling Hayden, who plays the main character, George Hansen, does a stupendous job as a Swedish immigrant, from the way he talks down to his mannerisms. And Sebastian Cabot shines as the bad guy, McNeil.

The story in TERROR IN A TEXAS TOWN, as mentioned, is very interesting and, despite the fact we’ve seen it numerous times, it is well done and engaging. The basic plot reminds me a bit of THE MAGNIFICENT SEVEN, which is another reason I found the film so much fun. But don’t let its familiarity dissuade you from seeing this film; you’ll greatly enjoy it regardless.

TERROR IN A TEXAS TOWN is a big win for me, and it’s a definitive feather in Arrow Academy and MVD’s cap. I love the fact Arrow Academy is preserving films like this with the Blu-ray treatment, and I can’t wait to see what’s on their title list for the future. TERROR IN A TEXAS TOWN is available now. In addition to a great picture and sound quality, the Blu-ray offers special edition contents that include:

• Brand-new 2K restoration from original film elements produced by Arrow Films exclusively for this release
• High Definition Blu-ray (1080p)
• Uncompressed Mono 1.0 PCM Audio
• Optional English subtitles for the deaf and hard of hearing
• Introduction by Peter Stanfield, author of Hollywood, Westerns and the 1930s: The Lost Trail and Horse Opera: The Strange History of the Singing Cowboy
• Scene-select commentaries by Stanfield
• Theatrical trailer
• Reversible sleeve featuring original and newly commissioned artwork by Vladimir Zimakov
• FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing by Glenn Kenny


Movie Review – The Fate of the Furious (2017)

The Fate of the Furious
Directed by F. Gary Gray
Courtesy of Universal Pictures Home Entertainment
Release Date: July 11, 2017

I’ve been a fan of director F. Gary Gray for a long time without even realizing it. Gray is responsible for the classic 90’s comedy FRIDAY, which is one of my favorite laugh-out-loud films. He dabbled with music videos and a few other films for a while afterward, until 2015, when he once again gained notoriety with STRAIGHT OUTA COMPTON, the biographical adaptation of rap group NWA. Now, Gray has moved into action territory with the most recent installment of the FAST AND THE FURIOUS series, THE FATE OF THE FURIOUS.

I have to admit: I wasn’t sure the franchise could keep the storyline fresh with an eighth film. After all, you can only do “fast cars save the day” so many times. But thankfully, Gray and his production team came up with a unique and entertaining plot that fans of the series should love. Granted, it’s a bit over the top, but we could argue that every film in the collection shares that trait. THE FATE OF THE FURIOUS is a fine addition to the franchise’s canon, and I can’t wait to see where things go with the next installment.

If you are not familiar with THE FATE OF THE FURIOUS, here is the plot synopsis courtesy of Universal Pictures Home Entertainment:

Vin Diesel, Dwayne Johnson and Michelle Rodriguez lead an all-star cast as the global blockbuster franchise delivers its most action-packed, high octane adrenaline rush yet in The Fate of the Furious. Now that Dom (Diesel) and Letty (Rodriguez) are married and Brian and Mia have retired from the game—and the rest of the crew has been exonerated—the globetrotting team has found a semblance of a normal life. But when a mysterious woman (Oscar winner, Charlize Theron) seduces Dom into the world of crime he can’t seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before. From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the world’s stage… and to bring home the man who made them a family.

THE FATE OF THE FURIOUS is shot well and looks great onscreen. I had the pleasure of watching the film in 4K Ultra HD, and the picture is stunning. The detail is precise, and the dynamic color range forces the picture to burst off the screen. I definitely recommend the 4K format, if you have the capability to utilize it.

The acting is very good, with the film boasting an all-star cast. Vin Diesel once again reprises his role as Dom, and he is joined by fan favorites Jason Statham, Michelle Rodriguez, Chris “Ludacris” Bridges, and Tyrese Gibson. This veteran group is accented by newcomers Charlize Theron, Kurt Russell, and Scott Eastwood.

The action is swift and intense, and the storyline moves at a nice clip. As I mentioned, things get a bit over the top, especially when the team winds up in the Arctic, but you’re having so much fun with the film by that point, it’s easy to forget just how Ludacris things are getting. And when the film really gets going, it’s like a huge jolt of adrenaline was just injected into the script with a syringe. By the time the credits roll, you’ll be ready for a cool towel and a cold drink.

THE FATE OF THE FURIOUS is a big win for me, and I recommend it. If you’re new to the franchise, you’ll probably want to give the previous films a look; but if you’re already in the thick of things, then you’ll love the direction in which director Gray takes the plot. Buckle up before you watch, though…the film might just give you whiplash. The film hits store shelves tomorrow.