TV Show Review – The Starlost: The Complete Series (1973)

The Starlost: The Complete Series
Courtesy of VCI Entertainment
Original Year of Release: 1973
DVD Release Date: September 30, 2008

You’re probably thinking that you won’t care anything about this review because this title is so old.

Well think again!

If you are any kind of science fiction fan, you owe it to yourself to check out THE STARLOST. Sure, it’s obviously dated (it came out a year before I was born, so that tells you something!), but look past the corny costumes and outlandish hairstyles. If you do, you’ll find a gripping and enthralling show that will hook you from the start!

If you are not familiar with THE STARLOST, here is the show’s plot synopsis courtesy of VCI Entertainment:

After an Earth-destroying threat endangers the planet, Mankind builds a gigantic Earthship Ark spacecraft to save the last of humanity. After an accident takes place and kills the crew, the airlocks connecting the ship’s domes are sealed. Cut off from the outside world, many communities simply forgot that they were on a spacecraft. As the centuries pass, each culture evolves in an enclosed society, each a world unto itself that is fifty miles in diameter. Unbeknownst to the ARK’s inhabitants, they are drifting through deep space on a collision course with a sun. In 2790 A.D., a young man named Devon (Keir Dullea from “2001: A Space Odyssey”), a resident of a biosphere called Cypress Corners, discovers that his world is much larger than he was taught to believe and uncovers the Ark’s fate. Devon and friends Rachel (Gay Rowan) and Garth (Robin Ward) must learn all they can about the Ark if they are to save it and the colonists aboard. The Starlost was a Canadian-produced science fiction television series that broadcasted in 1973 on CTV in Canada and on NBC in the United States. Now for the first time all 16 episodes are available in this collection. Some of these episodes have not been seen since their original airdates.

As I mentioned above, this show is obviously dated from the hairstyles and the clothing, but don’t let that dissuade you from watching. Those are minor observations that peek through; the story itself and the drama that unfolds are why you should give this a look.

THE STARLOST is shot fairly well and looks pretty good, all things considered. The show definitely has a “DOCTOR WHO” style vibe, but that’s not a bad thing. If anything, it helps add to the series’ charm. I am impressed with what the production crew accomplished for their time period.

The acting is a little on the hammy side, but that’s primarily due to the script. Some of the dialogue is hokey, although again, it is forgivable. I don’t think anybody will win any awards for their performances, so don’t expect Academy Award level talent.

The special effects are impressive in some aspects, but lacking in others. The outside shots of the ship are excellent. I had no trouble believing this was an actual starship in space. But the rest of the effects, such as the interior shots of the ship, are a bit lacking. Once again, I am trying to take into consideration the time period; back in those days, low budget meant LOW budget…they did not have anywhere near the access to cheap technology that we do today.

But the plotline is why you should watch this show. It is chocked full of mystery and intensity. The concept reminds me of STARGATE: UNIVERSE, which is one of the primary reasons I wanted to watch this one. And it does not disappoint. I really enjoyed it, and I recommend it anyone looking for vintage science fiction. The complete series is available now.


Movie Review – Sing (2017)

Directed by Christophe Lourdelet & Garth Jennings
Courtesy of Universal Studios Home Entertainment
Release Date: March 21, 2017

I have to confess: I didn’t have high expectations prior to watching SING. I thought, “Oh yay…another film about a singing contest.” With numerous such movies like PITCH PERFECT and HIGH SCHOOL MUSICAL, along with TV shows like GLEE, I figured this was yet another attempt to exploit a saturated market. But my wife and son saw SING in the theater, and they liked it…so I figured I might as well give it a look.

Oh man…am I glad I did!!

SING is nothing like any of those other titles I mentioned, and that is definitely a good thing. Despite its simplistic plot, the film is a look at the complexities involved with a group of (nonhuman) characters who are trying to put aside the rigors of their normal lives and fulfill a dream. And if you think you’ve seen movies like this before, you’re in for a real treat: SING blows them all out of the water.

If you are not familiar with SING, here is the plot synopsis courtesy of Universal Studios Home Entertainment:

Set in a world like ours but entirely inhabited by animals, Illumination Entertainment’s SING stars Buster Moon (Academy Award Winner Matthew McConaughey), a dapper koala who presides over a once-great theater that has fallen on hard times. Buster is an eternal—some might even say delusional—optimist who loves his theater above all and will do anything to preserve it. Now faced with the crumbling of his life’s ambition, he has one final chance to restore his fading jewel to its former glory by producing the world’s greatest singing competition.

A big part of what makes this film so entertaining is, well, the singing. This might sound overtly obvious, but the talented, big-name cast members do a fantastic job performing their songs. The result is a comedic and toe-tapping foray into fun.

SING looks amazing onscreen, thanks to the 4K Ultra Hd. The colors are vivid and vibrant, and they blast off the screen. Similarly, the Dolby Atmos configured soundtrack is superb. The ambient sound is crisp, and the songs blaze through the speakers as if you were standing right there in front of the singers. I highly recommend watching this in 4K if at all possible.

The acting is excellent, with the whole cast doing an outstanding job, both with their roles and their singing. Reese Witherspoon and Scarlett Johansson shine as Rosita and Ash, while Seth MacFarlane shows his talented range as the mouse, Mike. Brit Taron Egerton even does a fine job as Johnny, the gorilla. Matthew McConaughey doesn’t sing, but he’s top-notch and very funny as Buster. But Tori Kelly steals the show as Meena, the shy elephant with a huge voice.

The laughs are bountiful and the music is enchanting in SING, a fantastic movie the whole family will enjoy. I highly recommend SING, and I suggest checking it out in 4K Ultra HD, if possible. But regardless of what format you choose, give this one a look (and listen) for sure. SING hits store shelves next week.


Movie Review – Officer Downe (2017)

Officer Downe
Directed by Shawn Crahan
Courtesy of Magnet Releasing
Release Date: February 28, 2017

You’re going to hate OFFICER DOWNE.

Or, you’re going to love it.

There’s pretty much no in between. And I know this because I’ve done some digging online. After I finished the movie, I started surfing some of my regular sites and reading reviews. Folks appear to be very opinionated on the film, either for the good or the bad.

Personally, I enjoyed OFFICER DOWNE. It’s campy and cheesy, and it’s certainly over the top…and those are the very reasons I like it. Granted, I’ve never read the graphic novel, so I’m not sure if that’s the way it’s supposed to come across. But as for the film, it works. If you don’t go into this expecting a serious film, and take the movie for what it is, you’ll love it.

If you are not familiar with OFFICER DOWNE, here is the plot courtesy of Magnet Releasing:

Take a ride along in a hyper-real Los Angeles for the story of a savage L.A. policeman who is repeatedly resurrected and returned to active duty through dark science technology. When a rookie officer is recruited as backup, he discovers there’s much more to the reputed super-cop than a mindless law enforcement drone warring against a twisted rogue gallery of over-the-top super-villains. From the graphic novel by Joe Casey and Chris Burnham.

OFFICER DOWNE is one of those films you’ll probably watch several times through, just to see if you missed anything. It’s a chaotic, gun-slinging romp with a massive body count and fountains of blood-sprays…you can’t ask for much more out of a movie like this.

OFFICER DOWNE is shot well and looks great onscreen. It is filmed in a sort of hyper-realism style, similar to the way 300 looks, which greatly enhances the fun. The special effects look even more exaggerated in super-HD, and that fits perfectly with this film.

And speaking of special effects, they are pretty good as a whole. Several shots depict definite CG images, but they still blend fairly well into the film; only a couple stand out as obvious. There’s quite a bit of gore, including some phenomenal death scenes. One in particular that stands out takes place during a firefight with gun-dealing nuns; Downe slides through her legs and shoots upward, into her crotch. The resulting impact looks like a grenade goes off in her pocket. It’s crazy good.

The acting is a bit campy, but again…that’s what this movie is about. Kim Coates shines as Officer Downe. He is supported by a decent cast, although nobody gives any award-winning performances.

That’s perfectly fine, though, because OFFICER DOWNE still entertained me, and I found it to be a lot of fun to behold. If you keep your expectations in check and give this one a look, it’ll take you on quirky but enjoyable ride.


Adult Coloring Book Review – Call of Cthulhu: The Coloring Book by Andrey Fetisov

Call of Cthulhu: The Coloring Book
By Andrey Fetisov
Courtesy of Chaosium
Release Date: Available Now

If you’ve followed my ramblings on here for any length of time, then you already know how much I love Lovecraft’s work, particularly the Cthulhu mythos. As I’ve stated up-teen times, the man was a genius and way ahead of his time. The truth in this statement can be proven by the number of authors and artists who pay homage to his work even now.

Such is the case with Andrey Fetisov’s CALL OF CTHULHU: THE COLORING BOOK. With this collection, Fetisov and the fine folks at Chaosium offer up a nice variety of scenes to color from several of Lovecraft’s tales. Even if you’re not a fan of the author, or if you’re not interested in horror, this assemblage is still a must-have for any coloring enthusiast looking for originality and fun.

If you’re not familiar with CALL OF CTHULHU: THE COLORING BOOK, here is the book’s description courtesy of Chaosium:

Enjoy coloring an amazing array of scenes, with striking images from H.P. Lovecraft’s stories¬—and the Call of Cthulhu RPG his imagination inspired (Horror on the Orient Express, Masks of Nyarlathotep, The Fungi from Yuggoth and more).

I was going to color a few pages to post with this review, but my coloring skills are greatly lacking, and therefore the impact of the pictures would be lost. Thus, you’ll have to be content with checking out the uncolored shots instead.

[Click to enlarge]

The pictures in this book are brought to life with striking and vivid detail. Each tells a story within itself, but it also complements the source material to a striking degree.

[Click to enlarge]

As you can see, the pictures have a high degree of fine points, and they do a fantastic job conveying Lovecraft’s dark themes.

[Click to enlarge]

As a rabid fan of his work, I’m proud to share this coloring book with you, and I suggest you snag a copy while you can. I wager these will be highly sought after, and therefore there’s no telling how long they will be available. Click the link above to head over to Chaosium’s website and get your copy today!


Book Review – Nightwalk 2 by D. Nathan Hilliard

Nightwalk 2
by D. Nathan Hilliard
Courtesy of the author
Release Date: December 17, 2016

For anybody who has ever wondered what Hell on Earth might be like, allow me to introduce you to D. Nathan Hilliard’s NIGHTWALK books. I just finished the most recent release, which is book 2, and I have to say: Hilliard knows how to entertain, and then some! The concept he unravels in this one is simply brilliant, and it is an excellent complement to its predecessor. If you like original, inventive horror, give the NIGHTWALK books a try!

If you are not familiar with NIGHTWALK 2, here is the plot synopsis courtesy of the author:

Mark Garrett is about to go home again…
Two years have passed since the disaster at Coventry Woods, and Mark has made a good effort at recovering from the ordeal. He has published a new novel, replaced his lost belongings, and bought a new house in New Mexico. Life is finally moving on. He’s hidden the few scars that remain, and with Casey having left for college he looks forward to a comfortable future with his wife.

But the past is not done with Mark Garrett.

The enigmatic man in white has returned and announced the world is doomed. Another survivor of Coventry Woods has sealed its fate. The future’s only hope is for Mark to go back to that terrible night, and once again navigate his way through a death infested hell. Only this time he won’t be trying to escape. His mission is to intercept and kill a man he’s never met.

Now the clock is ticking as Mark races against a nuclear deadline. He must save the future, while at the same time trying to minimize his impact on a past that will not hesitate to eat him alive. And as he soon discovers, any change he makes can cause unexpected complications…especially when he gets stuck with the last travelling companion he would have ever wanted.

I had the honor of reviewing book one back in 2015 (click here to read that review), and I’m so, so glad I got to review this one as well. Indie authors sometimes have a hard time spreading the word about their work, therefore I’m always glad to help promote those titles that are worthy. Such is the case with Hilliard’s work; if you’ve never read him, get on the boat NOW! Check out Amazon or even his author page for details on ordering. And if you’re already a fan, then get ready for some fun…NIGHTWALK 2 is going to take you on a unique ride!

Just like every book before, NIGHTWALK 2 is written very well and flows at a nice pace. Hilliard does an excellent job of pulling the reader in from the start and never letting go.

The characters are once again vibrant and real. I mentioned in my review of book one that there are no stereotypes in the story; that statement is still true here. Too many books are ruined because of poor characterization. Thankfully, Hilliard has a firm grasp on making characters that readers will relate to and find interesting.

The story in NIGHTWALK 2 is absolutely amazing. I have to give major kudos to the author for coming up with such an original concept: the main character of a previous book reliving the same events, but from a different perspective…this is wildly fun, particularly when things don’t go as planned. As a result, although the scenario is technically the same, the happenings have a completely different outcome. I don’t want to go into details, as that will spoil the story. But needless to say, you’ll be captivated until the end!

NIGHTWALK 2 is another major win for me, and I CANNOT WAIT to see what Hilliard has in store for us avid fans next. NIGHTWALK 2 is available now in a variety of formats. Add this to your reading list now!


Movie Review – Bad Kids of Crestview Academy (2017)

Bad Kids of Crestview Academy
Directed by Ben Browder
Courtesy of Sony Pictures Home Entertainment
Release Date: March 7, 2017

Movies that are based on comic books and graphic novels are very hit-and-miss these days. Some adaptations are excellent, such as most Marvel movies made in the past decade, SCOTT PILGRIM VS. THE WORLD, and even THE WALKING DEAD. Others, however, miss the mark completely; I’m talking specifically about films like BATMAN & ROBIN, FANTASTIC FOUR (both films), and SPAWN.

Thankfully, the recent film adaptation of BAD KIDS OF CRESTVIEW ACADEMY is on the first list. I confess I didn’t see the previous film, BAD KIDS GO TO HELL (also based on a graphic novel), however you needn’t see it before watching this one; it works perfectly well as a stand-alone.

BAD KIDS OF CRESTVIEW ACADEMY is a darkly humorous trek into violence and revenge. It’s got some great gore and some inventive ways of “offing” people. And while I’d technically classify it as a horror-comedy, it’s still a fun, cringe-inducing, and vicious foray into madness.

If you are not familiar with BAD KIDS OF CRESTVIEW ACADEMY, here is the plot synopsis courtesy of Sony Pictures Home Entertainment:

Based on the best-selling graphic novel series, a group of spoiled “bad kids” have been placed in Saturday detention at the prestigious Crestview Academy. After one of the kids locks away their teacher, they find themselves trapped in school with no way out, wondering who (or what) set them up. Their ranks quickly dwindle as each falls victim to a gruesome “accident” while trying to escape.

I had A LOT of fun with this film. Prior to watching it, I was vaguely familiar with the comic, therefore I knew a little bit of what to expect. But nothing could prepare me for the all-out mayhem that ensues right from the start.

BAD KIDS OF CRESTVIEW ACADEMY is shot well and looks great onscreen. The production value appears high, and the crew seems to do a great job utilizing the budget. I like how they didn’t spare much expense on the special effects. The gore is nice and effective, which in turn makes the movie more fun.

The acting is adequate for the film, although I don’t think anybody will win any awards for it. Sammi Hanratty does a fine job as the main character, Siouxsie. Drake Bell, who fans of Nickelodeon will remember from Drake & Josh, is pretty good as slacker Ben. Even Sean Astin, who plays Headmaster Nash, does a decent job. But even so, nobody really shines.

That doesn’t detract much from the film, because BAD KIDS OF CRESTVIEW ACADEMY is all about being bad, and the kids from Crestview are good at it. I love how the traditional stereotypes are all present in the cast, yet no one is safe from having an “accident”. And when the fatalities happen, they are over-the-top and entertaining. There’s a nice dose of carnage for gore-hounds, while fans of the “whodunit” aspect should also be entertained.

BAD KIDS OF CRESTVIEW ACADEMY is a win for me, and I recommend giving it a look. It’s schlocky, dark-hearted fun, so be prepared to wince as you laugh. The film is available today in a variety of formats.


Movie Review – The Eyes of My Mother (2017)

The Eyes of My Mother
Directed by Nicolas Pesce
Courtesy of Magnet Releasing
Release Date: March 7, 2017

THE EYES OF MY MOTHER is one of those movies you’re either going to love or hate. Much like THE WITCH, this film is cerebral horror, not the in-your-face, jump-scare horror that many people are accustomed to. As such, I can see many movie-goers disliking this one.

Personally, I loved it.

It is obviously not a traditional horror flick, and it actually made me think. Crammed full of stunning black-and-white visuals, with a haunting storyline, THE EYES OF MY MOTHER is a film I won’t soon forget. I was enthralled all the way through, right up to the startling conclusion. And I will confess: the final imagery haunted me for a while after the credits rolled. THE EYES OF MY MOTHER is truly a force to be reckoned with.

If you are not familiar with THE EYES OF MY MOTHER, here is the plot synopsis courtesy of Magnet Releasing:

In their secluded farmhouse, a mother, formerly a surgeon, teaches her daughter, Francisca, to understand anatomy and be unfazed by death. But after a shocking event shatters their idyllic life, the young girl must cope with the nightmarish repercussions that echo into adulthood. As she matures, it becomes clear that this beautiful but dangerous young woman has some very peculiar desires.

THE EYES OF MY MOTHER is shot very well and is mesmerizing to behold onscreen. As mentioned, the film is shot in black and white; I was a bit unsure of how this would play out prior to watching it, but I can now attest that the lack of color adds layers of atmosphere to the film. I don’t think it would have been nearly as powerful if it were in color.

The acting in the film is very good as well. The whole cast does an excellent job in their roles, however Kika Magalhaes, who plays the adult version of Francisca, is stunningly good. The creepy vibe she puts off when she is onscreen is brutal, and it fits her character perfectly. I hope to see more of her in future projects.

The special effects in THE EYES OF MY MOTHER are minimal, but what we do see are very good. I think the lack of visuals in this aspect really help to enhance the tension. The random body part here, the eyeball there…this is a great example of where less is more.

The story is the biggest winner for this film. Dark and moody, it sucks you in and never lets go. No jump-scares are needed here…there’s plenty of tension without them. And the conclusion is perfect for such a film. Although it didn’t end like I expected, I am still extremely happy with the result.

THE EYES OF MY MOTHER is an excellent horror thriller, and I highly recommend it. Unsettling and disturbing, it is a perfect blend of character study and downright terror. The film is available tomorrow in a variety of formats.


Movie Reviews – At Midnight I’ll Take Your Soul (1964) & This Night I’ll Possess Your Corpse (1967)

At Midnight I’ll Take Your Soul & This Night I’ll Possess Your Corpse
Directed by Jose Mojica Marins
Courtesy of Synapse Films & CAV Distribution
Original Years of Release: 1964 & 1967
DVD Release Date: January 31, 2017

Campy horror definitely has its place in the hallowed history of our beloved genre. Many of the early horror films we know and love are full of cheesy imagery, cardboard acting, and laughable special effects. But we treasure them nonetheless. Part of the allure is that we know these “so-bad-they’re-good” movies helped to usher in the horror genre that we know today. Without these so-called “building blocks”, we fans would not be able to appreciate the hardcore terrors of modern filmmakers.

The Coffin Joe films are part of these foundation-setting titles, and I’m proud to say I have seen the first two. AT MIDNIGHT I’LL TAKE YOUR SOUL first introduced the world to Coffin Joe in 1964, and three years later he was back again with THIS NIGHT I’LL POSSESS YOUR CORPSE. If you are any kind of horror fan, you must check out these two throwback films from yesteryear; they won’t scare you, but they have an irresistible charm nonetheless.

If you are not familiar with either film, here are the plot synopses courtesy of Synapse Films & CAV Distribution:

At Midnight I’ll Take Your Soul
Coffin Joe terrorizes a small religious community as he searches for the perfect woman to bear him a child, as the spirits of his murderous past come back to haunt him.

This Night I’ll Possess Your Corpse
Coffin Joe returns, with his new assistant Bruno, to help him on his quest to continue his demonic bloodline. Joe is haunted by nightmares when he kills a pregnant woman.

I enjoyed both films, however AT MIDNIGHT I’LL TAKE YOUR SOUL is probably my favorite of the two. It has a bit more spark to it for some reason. THIS NIGHT I’LL POSSESS YOUR CORPSE almost feels like a remake of the first, although it does have stand-alone merit as well.

Both films are shot fairly well and look decent onscreen. These were low-budget films for their time, but you would have a hard time guessing that from a production standpoint. They both look like higher budget titles at first glance.

The acting is very low-budget, with most of the cast giving the typical cheesy, over the top performances. With that being said, writer/director/actor Jose Mojica Marins does a great job as the main character, Coffin Joe. From what I understand, he even reprises the role for a 2008 follow-up to THIS NIGHT I’LL POSSESS YOUR CORPSE, and his persona is identical to that of the 60s version. This is impressive due to the amount of time that has passed.

The special effects in both films are painfully low budget (plastic spiders, etc.), but they can’t help but fit perfectly into each. You can tell that a lot of heart and soul went into the production of these films, therefore campy effects are easily overlooked. If anything, they add a distinct sense of odd charm to each movie.

Probably the most impressive aspect of either film is the now-famous Hell sequence from THIS NIGHT I’LL POSSESS YOUR CORPSE. While both movies are presented in black-and-white, the scenes shown from Hell are in color. Granted, it’s a psychedelic, trippy sort of color, but it certainly stands out. As a result, Coffin Joe’s trip to the netherworld makes Oz look like Brooklyn.

Regardless of how you feel about older films, AT MIDNIGHT I’LL TAKE YOUR SOUL and THIS NIGHT I’LL POSSESS YOUR CORPSE are two you should definitely check out, particularly if you are a horror fan. They are Brazilian, so be prepared to read subtitles…but they are not distracting at all. These films won’t offer any scares, but they are certainly entertaining nonetheless.

Both films are available now.


Blu-ray Movie Review – We Are the Flesh (2017)

We Are the Flesh
Directed by Emiliano Rocha Minter
Courtesy of Arrow Video & MVD Distribution
Release Date: February 28, 2017

Have you ever been awakened in the middle of the night by something, like a mysterious thud, but you only partially regained consciousness? If you have never experienced this, it’s basically like a waking dream: you are only vaguely aware that you are still half asleep, therefore everything you see and hear while in that state has an almost mystical quality…and yet the whole experience doesn’t make much sense when you try to process it the next day.

This semi-conscious state is exactly the way you’ll feel when you watch WE ARE THE FLESH. This surrealistic film is a weird journey into the bizarre, yet it is so visually arresting, it’s hard to look away from it. I will admit I’ve been trying to wrap my brain around the film since it ended, and I am still not sure what I saw. But was I entertained? Well, yes and no. I’ll explain in a moment. But one thing’s for sure: WE ARE THE FLESH is a definite eye-grabber, and it might just make you question your own sanity!

If you are not familiar with WE ARE THE FLESH, here is the plot synopsis courtesy of Arrow Video & MVD Distribution:

A visionary and bizarre slice of Mexican arthouse cinema, We Are the Flesh is an extraordinary and unsettling film experience, a sexually charged and nightmarish journey into an otherworldly dimension of carnal desire and excess, as well as a powerful allegory on the corrupting power of human desire.

A young brother and sister, roaming an apocalyptic city, take refuge in the dilapidated lair of a strange hermit. He puts them to work building a bizarre cavernous structure, where he acts out his insane and depraved fantasies. Trapped in this maddening womb-like world under his malign influence, they find themselves sinking into the realms of dark and forbidden behavior.

Mixing the graphic, powerful imagery of Gaspar Noe s Love and Enter the Void with the surreal, hallucinatory impact of Alejandro Jodorowsky, We Are the Flesh is a bizarre, psychedelic head trip, mixing intense, outrageously explicit imagery with a profound allegory on the nature of existence, to make this an unforgettable, boundary-pushing experience unlike anything you’ve ever seen.

By now, you’re probably wondering if I actually enjoyed this film. The answer is yes, as a whole. But there are several elements about it that I did not like. For example, the sexuality aspect. I am not a prude by any means…however I don’t feel like the VERY graphic depictions of sex in this film are necessary. And when I say graphic, I mean it; NOTHING is left to the imagination. I wager many folks would simply label this film as blatant pornography. Personally, I think the film would have had more of an impact if much of what happens was implied instead of shown. But that’s just me.

There’s no denying WE ARE THE FLESH is shot very well and looks mesmerizing onscreen. I’m SO glad Arrow and MVD released this on Blu-ray, as HD is the only way to truly capture the imagery within the film. I particularly love the scenes inside the cave-like structure. Once it is complete, the set takes on a life of its own. The resulting scenery is almost magical.

The acting is superb, with Noe Hernandez heading up an excellent (albeit small) cast. Hernandez plays the maniacal Mariano, a guy who is way off his rocker and just charismatic enough to entrance the two siblings to join him. Maria Evoli and Diego Gamaliel play the brother and sister, and both do a phenomenal job, but Hernandez steals the show. Whether he is spouting philosophical gibberish, beating the hell out of a random drum, or simply pleasuring himself at the siblings’ expense, Hernandez appears to relish each activity. I daresay there are few actors who could have done such a perfect job with this role.

The special effects in WE ARE THE FLESH are very good as well. There’s some nice gore, particularly a gut-wrenching throat slashing scene that will make you wince. Also of note is the cave-like structure. I read online that the set was made exclusively for the film, and it looks awesome. I would LOVE to have something like that in my house to crawl around in, although my wife would probably hate it.

But the problems with the film do abound, unfortunately. I already mentioned the gratuitous nature of the sex, but there’s several other issues. The film makes absolutely no sense at all, despite an intriguing start. I found myself wondering many times about Mariano’s motivation: is he Satan? Or is he just some screwed up park-bench philosopher who wants to live vicariously through other people?

Also, I had a hard time believing the siblings would participate in Mariano’s madness. Granted, they were hungry to start with…but I don’t think they would have honestly gone as far as they did with the acts.

And finally, I really don’t like the ending. It’s supposed to be a big surprise reveal, but I was so confused by the time it occurred that it lost any impact it might have had. As a result, it just annoyed me.

But even so, WE ARE THE FLESH is still a stunning film to experience, if anything just to see how much of a fever-dream it is. I’ve only seen a handful of films that made me ask, “What in the hell did I just watch?” but this is now number one on that list. Thankfully, it is interesting enough to hold the viewer’s attention for its short duration (79 minutes), and therefore it is not a burden to sit through overall. Just don’t expect a clear storyline.

• High Definition Blu-ray (1080p) presentation
• 5.1 surround and uncompressed stereo 2.0 audio options
• Optional English subtitles
• A new video essay by critic Virginie Sélavy
• New interviews with director Emiliano Rocha Minter and cast members Noé Hernández, María Evoli and Diego Gamaliel
• Two short films by Emiliano Rocha Minter; Dentro and Videohome
• Theatrical trailer
• Stills gallery
• Reversible sleeve featuring original and newly commissioned artwork
• FIRST PRESSING ONLY: Illustrated collector s booklet featuring new writing on the film by critic Anton Bitel, and a note from the producer on the film


Movie Review – Drifter (2017)

Directed by Chris von Hoffmann
Courtesy of XLrator Media
Release Date: February 28, 2017

Over the past several years, I have found myself gravitating toward post-apocalyptic movies and books, more so than I ever have before. I hope this act is not prophetic in some way, as I’m really not ready to scavenge a wasteland for food or try to rebuild civilization with mutants. Regardless, I really enjoy PA films that are well made and make you think.

DRIFTER isn’t necessarily cerebral, and honestly, it’s not overtly original. But I will say it is a post-apocalyptic film with bite. And although it’s not perfect, this movie is still a lot of fun.

If you are not familiar with DRIFTER, here is the plot synopsis courtesy of XLrator Media:

A pair of outlaw brothers seek temporary refuge in a desolate town inhabited by a small family of psychotic cannibalistic lunatics.

Pretty much anything involving cannibals will grab my attention pretty quick. I am fascinated by them (in a healthy way…not a psychotic one…I promise!) for some reason, and I love seeing the different variations that are brought to screen. As such, this aspect made DRIFTER a must-see for me.

The film is shot well and looks good from a production standpoint. The cinematography does a great job of capturing the isolated feel of the desert and telling the story at the same time.

Likewise, the acting in DRIFTER is pretty good, with talented Aria Emory portraying the main character, Miles; Emory does a great and believable job in his role. He is joined by Drew Harwood, another capable actor who also does a fine job. The rest of the cast is decent, however nobody really gives a breakout performance.

But the film has several detractors that make it a head-scratching experience. I found certain characters, particularly Doyle’s henchman, to be extremely annoying. They are the standard, stereotypical wasteland mutant/inbred family/anything cannibal fare, and they almost overshadow the plot because of how painfully formulaic they are. Spastic brute, quiet idiot, and Harley Quinn-wannabe…ugh.

The biggest flaw that prevents the film from being an instant classic is the lack of originality; it appears to draw on several iconic movies, such as MAD MAX, THE HILLS HAVE EYES, and THE TEXAS CHAINSAW MASSACRE. This wouldn’t be such a big issue, however the particular influences here are very specific to those franchises, which in turn makes DRIFTER look like it is plagiarizing. For example, everybody remembers the classic dinner table scene in THE TEXAS CHAINSAW MASSACRE 2, right? DRIFTER offers up one that looks very similar. The scene doesn’t directly copy it, but avid horror fans will catch the familiarity quickly.

Even so, DRIFTER is still entertaining, and I do recommend giving it a look. Despite the appearance of a relationship with previous genre films, the movie is intriguing and keeps the viewer interested through its entirety. I never once felt like it lagged or bored me, so that is a definite positive. If you can look past the obvious references to other films, you might enjoy this one.

DRIFTER will be available on VOD and iTunes tomorrow, February 28, 2017.